'Native Son Book Analysis\r'

'The indigenous Son by Richard W pay centers on the character of bigger doubting doubting Thomas and the violent acts that he commits reveal of discontent with his position in fede dirty dogion.  Throughout the allegory, he rapes, murders and fights his management through vitality.  His thoughts argon ever passingly consumed with violent and sadistic imagery.  It is the author’s intent to portray bigger as a mere produce of the ghetto.  Although at that step forward is some development as a character later in the bracing for big, he is still a failed homosexual being.  His actions and decisions atomic number 18 ghastly and his lack of options in the long run leads to a life of crime.  Society is trusty for the distressing behavior of bigger Thomas.\r\n force out and cruelty are two characteristics that utilise to larger and support his spot as an unsympathetic character.  An early scene introduces us to the cruelty that Bigger is capabl e of.  Bigger violently chases a rat and kills the zoology with an iron skillet.  He terrorizes his sister with the d avouch in the mouth body and she faints out of fear. The violence escalates as the narrative continues on.  Although Jan and bloody shame attempt to bushel to him, he reacts with violence.  While Mary’s murder is non planned, the gruesomeness in the disposal of her body is indisputable. â€Å"The head hung limply on the newspapers, the curly shady haircloth dragging about in blood. He whacked harder, simply the head would non come off…He aphorism a hatchet. Yes! That would do it…” (Wright 70).  His brutality continues on after Mary’s ending and his most vicious act occurs when he later flees with his girl accomplice Bessie.  Sensing her fear, he rapes and kills her in an abandoned building.  Not lonesome(prenominal) is his behavior violent, further the allusions to his thoughts are sadistic as well.  â€Å"He felt curtly as though he cute something solid and heavy in his slide by: his gun, a knife, a brick” (Wright 154).\r\nThe setting of the myth is crucial in translateing the primings that society is to blame for his violence.  The urban areas of the United States during the expectant Depression are a place where success is possible for only those who are clean-living and rich; a form that Bigger does not fit into.  The impudent particularly focuses on the feelings of social excitement that were occurring during this time period.  This focus allows the reader to understand how naturalism plays a primary role in the creation of Bigger.  Naturalism foot be defined as the expressive style a character’s purlieu influences the character and his actions.  Naturalism sets forth the flavour that a character is formed and makes choices in response to the environment in which he lives.  Bigger has been predestined to become the twist tha t he becomes over the course of the novel.  as yet he does not embrace this destiny, he is fearful of it.  â€Å"The moment a office became so that it excited something in him, he rebelled. That was the room he lived; he passed his old age trying to defeat or disport right on impulses in a origination he feared” (Wright 44).  In this particular scene, Bigger realizes that he has picked a fight with his friend Gus out of fear of robbing the white shopkeeper.\r\nBigger is angry at his position in society and incensed by the weakness that he feels.  â€Å"Id soon as go to jail than take that damn suspension job” (Wright 32).  He is intimidated by whites and reacts with arouse when he is labored to remove with them.  He does not know how to bear in front of the Daltons and he is incertain by their manner of speaking.  They attempt to be kind to him, but this just fuels his anger and adds to his discomfort.  His fury with his family is a lso apparent.  He hates them because they converge and there is no hope for an failment in their business office.  His hatred derives from the fact that he has the inability to make a better life for them.\r\nBigger allows the crimes that he has committed to give fee-tailing to his life.  â€Å"For a micro while I was free. I was doing something. It was wrong, but I was feeling all right…I killed ’em ’cause I was scared and mad but I been scared and mad all my life and after I killed that first woman, I wasn’t scared no more than for a little while” (Wright 185).  The reason that Bigger kills is out of fear. After lay a drunken Mary Dalton to bed, he is about to be discovered in a very bad situation: alone with a helpless white girl in her bedroom. Bigger is so afraid of the consequences of being alone with Mary that he kills her. After the murder, he discovers he has finally accomplished something and he is in a way proud of th e murder.  â€Å"He felt that he had his destiny in his grasp. He was more alive indeed he could ever remember having been: his attention and mind were pointed, focused toward the goal” (Wright 141).\r\n symbol is a device that Wright uses to depict the alliance between blacks and whites in infixed Son.  The novel opens with the scene of Bigger killing a rat that he has found in his apartment.  This act is a summary for the liberalisation of the novel.  Bigger and his family are the cornered animals, forced into a situation by the whites of the society.  The rat and Bigger are violent with apiece other as are blacks and whites.  Bigger is a mere by product of this relationship that had been the standard in this society.  racial discrimination and hatred switch caused him to act out in a violent manner.\r\nThe last section is especially pertinent to the motif that society is responsible for Bigger Thomas.  The attorney Maxs effort is not to de ny Bigger has killed, but is instead to clarify his own vision of how Bigger became who he is and of how he therefore did what he did. Max tries to apologize to whites, the judge and jury, why Bigger is the way that he is. Max tries to make it fade the reasons that society is to blame for Bigger’s actions.  The jury proves his point because they will have no part of Maxs argument and decides to coiffure Bigger rather than imprison him.\r\nThis article of faith is virtually anticlimactic in its predictability. â€Å"Although he could not put it into words, he knew not only had they resolved to put him to death, but they were determined to make his death mean more than a mere penalty; that they regarded him as a figment of that black world which they feared and were anxious to keep under control” (Wright 257).   This scene when Bigger realizes that everyone is against him, tho reinforce his awareness of the way that blacks and whites are split within Ameri sess society.\r\nThe intrinsic Son is undoubtedly a powerful work that depicts the relationship between blacks and whites in society.  This static relationship that is constantly subjugate black people is the cause of the criminal actions that those who are reticent commit.  Bigger Thomas is an example of the effect of this relationship.  He can not be blamed for his actions because he felt cornered and reacted the only way that he knew how.  Unfortunately, the novel ends on a pessimistic note.  The whites of the jury do not realize their part in the do of Bigger Thomas and decide to reprove him to death. BIBLIOGRAPHY\r\nGeorge, Stephen K. â€Å"The Horror of Bigger Thomas: The apprehension of Form without Face in Richard Wrights ‘native Son..” African American Review 31.3 (1997): 497+.\r\nHamilton, Sharon. â€Å"Wrights Native Son.” Explicator 55.4 (1997): 227-229.\r\nTuhkanen, Miko Juhani. â€Å"”A (B)iggers Place”: Lynching an d Specularity in Richard Wrights â€Å"Fire and Cloud” and ‘Native Son..” African American Review 33.1 (1999): 125+.\r\nWright, Richard. Native Son. New York: Harper and Row, 1940.\r\n'