The Infinity Mirror :: The Infinity Mirror

The Infinity Mirror "Tularecito" is a myth about truth. Tularicito, right a character of that myth, is the focus for this glossed over fable. Steinbeck draws on this form of musical style to present the idea that we are all a part of what happens to others, establish upon our nature. The image presented of Tularecito is that of a demon, an idiot savant, a male child with a face from God, and that gifts cost. He is a freak, a dangerous misfit, an innocent who does not pick up the constraints of reality. Tularecito is a test. The test is one of moral caliber. It is a test of the souls of the characters who overshadaow Tularecito. Pancho is a man that is both holy and sinful. His purfunctory act of church going becomes full-strength belief as alcohol demons induce him to halucinate a deformed boy into an outcast from hell. He looks into his mirror and sees himself, becomes shaken, reforms. From Panchos employer, Franklin Gomez, we get a cold potent look into society. We see a mother, knowing her son is to be scorned and feared, and perhaps possibly killed, cannot face cleaning her son with her bare hands. She leaves the killing to exposure to the elements, enying herself a look into Tularecito. Franklin adopts Panchos demon, and Tularecito transforms into a disadvantaged who has been gifted with talent. Tularecito becomes a man at the age of six, "The boy grew rapidly, but after the one-fifth year his brain did not grow any more," To Franklin, Tularecito is grace, and graceless. He is talented in all things of any physical strength, and well proficient in the creation of beauty, and an artist in the care for life of nature. The touch of Tularecito brings beauty, and life, and turn in to the world, until he becomes enraged, (should anyone endanger what came from the touch of his hand). Franklin looked into Tularecitos mirror and saw what Tularecito was.