The Struggle for Identity in A Doll’s House :: A Doll’s House

The Struggle for Identity in A Dolls reside A Dolls House by Henrik Ibsen, is a coquette that was written ahead of its time. In this play Ibsen tackles womens rights as a point of importance. Throughout this time period it was neglected. A Dolls House was written during the fecal matter of Naturalism, which comm simply reflected society. Ibsen acknowledges the fact that in 19th century life the spot of the woman was to stay at home, raise the fryren and attend to her husband. Nora Helmer is the character in A Doll House who plays the 19th woman and is portrayed as a victim. Michael Meyers said of Henrik Ibsens plays The common denominator in many of Ibsens dramas is his interest in individuals struggling for and authentic identity in the face of tyrannical fond conventions. This conflict often results in his characters being divided between a sense of duty to themselves and their responsibility to others.(1563) All of the aspects of this quote contribute be applied to the p lay A Doll House, in Nora Helmers character, who throughout more than of the play is oppressed, presents an inauthentic identity to the audience and throughout the play attempts to husking her authentic identity. The inferior character reference of Nora is extremely important to her character. Nora is oppressed by a variety of tyrannical social conventions. Ibsen in his A Dolls House depicts the role of women as subordinate in order to emphasize their role in society. Nora is oppressed by the manipulation from Torvald. Torvald has a precise veritable(prenominal) relationship with society. He is a smug bank manager. With his job perplex many responsibilities. He often treats his wife as if she is one of these responsibilities. Torvald is very authoritative and puts his appearance, both social and physical, ahead of his wife that he purportedly loves. Torvald is a man that is worried about his reputation, and cares little about his wifes feelings. Nora and Torvalds relationsh ip, on the outside appears to be a happy. Nora is treated like a child in this relationship, but as the play progresses she begins to realize how phony her join is. Torvald sees Noras only role as being the subservient and loving wife. He refers to Nora as my little squirrel (p.1565), my little lark (p.1565), or spendthrift(1565). To him, she is only a possession. Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own.